The Bullroarer Atlas
All regions

An approaching voice

The Americas

Weather, ancestors and spirits brought near

Across the Americas, the circulating blade brings a power into human affairs. It calls weather, announces dancers, makes ancestors audible and moves around the sick. Painted fish receive meals, winter instructors speak with thunder, and children make their own voices. These recurring actions connect a hemisphere of particular traditions.

Pipil rung rung from Nahuizalco, with a sounding slat, cord, and reed handle.
Pipil (Nahua-Pipil)Pipil rung rung from Nahuizalco, with a sounding slat, cord, and reed handle.Statens museer for varldskultur / Etnografiska museet (1900.03.0493) · CC BY 4.0
Makah Klokali-ceremony bullroarer blade, photographed without its cord.
MakahMakah Klokali-ceremony bullroarer blade, photographed without its cord.Densmore, Nootka and Quileute Music (BAE Bulletin 124), 1939, Plate 11 (item d) · Public domain
Murdoch’s drawing of a Point Barrow whizzing stick with cord and wooden handle.
Point Barrow Eskimo / InupiatMurdoch’s drawing of a Point Barrow whizzing stick with cord and wooden handle.Murdoch 1892, fig. 377, reproduced in Haddon, The Study of Man (1898) · Public domain

Sources

  1. John M. Cooper, Field Notes on Northern Algonkian Magic (1930)

    Printed p. 515: almond-shaped board, former cold north-wind calling after late-winter thaw and travel crust; regional Cree/Ojibwa visits distinguished.

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  2. Raúl Martínez-Crovetto, Juegos araucanos de la Patagonia (1969)

    Printed p. 19, V.6: furfúrwe construction; former rain work by children at Lagunita Salada during storms.

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  3. Edwin M. Loeb, The Western Kuksu Cult (1932)

    Printed p. 27: Kato winter school and ghost voices; pp. 66–68: Inland Yuki thunder breath in instruction and curing, the latter transmitted after Curtis.

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  4. Elsie Clews Parsons, Pueblo Indian Religion (1939)

    Vol. I, pp. 377–378: Hopi lightning frame and rhombus, cloud terraces and related ceremonial equipment.

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  5. Washington Matthews, The Mountain Chant (1887)

    Printed pp. 435–439, especially paragraph 135: lightning-struck pine, specular iron ore and turquoise face.

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  6. Kalervo Oberg, Indian Tribes of Northern Mato Grosso, Brazil (1953)

    Printed pp. 24, 53–55, 57: Yanama–dogfish–pequi exchange and seasonal sounding. Keep this telling apart from Sun-and-Moon flute-seizure variants.

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  7. Frances Densmore, Nootka and Quileute Music (1939)

    Printed pp. 29, 103–105, Plate 11: Makah Klokali, four or five bullroarers; wolf and Thunderbird imitations assigned to separate whistles.

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  8. Världskulturmuseerna, Maxakali panandóad 1946.03.0049

    Exact surviving 48 cm wood/cord/handle rig; collection documentation of night sounding in men’s house and withheld name.

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  9. Alfred Métraux and Curt Nimuendajú, Mashacalí, Patashó, and Malalí linguistic families (1946)

    Handbook of South American Indians I, p. 545: size classes, initiation and concealment.

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  10. Christopher Ball, As Spirits Speak (2011)

    Printed pp. 105–106: Wauja house-to-house sounding, payments and sponsor’s cigarette; source does not name Piyulaga or claim eyewitness observation of that celebration.

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  11. Roberta Garcia Anffe Braida, Objetos Mehinako (2012)

    Printed pp. 178–181: paired spirit-fish, food after sounding, making too many sale boards, illness and repayment through sponsored festivals.

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  12. Carl Vilhelm Hartman, Nahuizalco rung rung collection notes

    Exact accessions 1900.03.0493–0495: evening three circuits around a house against evil spirits and sorcerers; terminal blade and reed handle.

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  13. Franciscan Fathers, An Ethnologic Dictionary of the Navaho Language (1910)

    Printed pp. 414–415: medicine-bowl thong preparation, silent hogan circuit, wrapped blade applied to limbs.

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  14. France-Marie Renard-Casevitz, Inscriptions (1980)

    Printed p. 263: nocturnal roar like Master of Thunder summons spotted cats to the shaman. Child objects are separately identified by exact museum cards.

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  15. Franz Keller, The Amazon and Madeira Rivers (1874)

    Printed English p. 124 / German p. 104: scissors offered for Caripuna blade, refusal, burial-ground demonstration and funeral lament.

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  16. Curt Nimuendajú, Religion und Überlieferung der Šipáia-Indianer (1919/20)

    Printed pp. 1027–1028: remembered midnight forefather instrument, sparse description of mechanism, taboo and openly used paddle toys.

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  17. Frank G. Speck, Catawba Games and Amusements (1944)

    Primitive Man 17, printed p. 23: name, gourd/pine-bark/cypress materials, dimensions, deep tremolo hum and no symbolism found.

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  18. John Murdoch, Ethnological Results of the Point Barrow Expedition (1892)

    Printed p. 379, fig. 377: Utkiavwĭñ child’s painted pine toy, sinew rig and teenage maker; Haddon’s later copy is not an independent witness.

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  19. National Museum of the American Indian, Amy B. Jones wolf scarer

    Catalog 26/2512, Kotzebue, made 1976 from roots and seal sinew; exact practical function given by museum.

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  20. R. F. Fortune, Omaha Secret Societies (1932)

    Printed pp. 178–180: Omaha tale of brothers making a bullroarer to drive horses; separate from the younger brother’s Thunderbird power and La Flesche’s toy.

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  21. Stewart Culin, Games of the North American Indians (1907)

    Printed p. 750: Francis La Flesche’s Omaha gahoota toy; presumed borrowing is Culin’s hypothesis.

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  22. J. D. E. Schmeltz, Das Schwirrholz (1896)

    Printed p. 118, fig. 17; Wereldmuseum RV-472-10, collected by van Koolwijk and donated 1885. Mixed-community toy does not establish ancestral Carib transmission.

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  23. Michael Marcuzzi, The Bullroarer Cult in Cuba (2010)

    Latin American Music Review 31(2), pp. 151–181. Public abstract establishes Afro-Cuban Oro-derived cult and deliberately muted construction; full article not newly inspected.

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  24. Edwin M. Loeb, Tribal Initiations and Secret Societies (1929)

    Printed pp. 284–285, independently reread primary transcription: following Lowie’s Primitive Society p. 313, diffusion of initiation complex proposed; toy distribution not proof of former secret rites.

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