The Bullroarer Atlas

No. AMARAL1935-001

Lavras berra-boi at the cemetery door

Brazil · Minas Gerais · Lavras (Quenta-Sol and Rua do Capim) · South America

Sacred / spirit

Nimuendajú’s plate image of two Eastern Timbira (Canela) bullroarers with long cords: one short and broad, the other longer and narrower.
Plate I. Representative — not this record’s object. Eastern Timbira (Canela) bull-roarers with cords Public domain · Image source

berra-boi

berra-boi (literally 'bellow-ox'): a Brazilian name for the bullroarer.

At midnight in Lent the berra-boi was heard in front of the churches of Lavras and at the cemetery door. The singers came from the poor hillside streets of Quenta-Sol and Capim: chosen voices formed the band of encomendadores who commended the souls of the dead, and a boy handled the berra-boi. In 1935 the town still remembered their duets and the voice of Silvestre the butcher, whose street cry had once sold meat through its streets. The berra-boi was a little board on a cord tied to a handle, whirled to give a roar of 'incredible ghostly character'.

A' meia noite, o "berra-boi" se faz ouvir em frente das Igrejas e Paços, na porta do Cemiterio...

At midnight the berra-boi makes itself heard in front of the churches and chapels, at the cemetery door...

Amaral Sobrinho, A Gazeta (Lavras), 13 January 1935, p. 4

Particulars

Object
A small board tied to a cord fastened to a handle, swung in the air.
Function
Sounded at midnight in front of the churches and at the cemetery door during the Lenten commendation of the souls (encomendação das almas).

Sources

  1. Amaral Sobrinho, 'Minha Columna: Cousas sem nexo,' A Gazeta (Lavras) 5, no. 211 (13 January 1935), p. 4 View
  2. Oneyda Alvarenga, Música Popular Brasileira, 2nd ed. (1982), p. 331, s.v. Berra-boi View

Part of The Bullroarer Atlas, companion to The Eve Theory of Consciousness.