The Bullroarer Atlas

No. BRODY1983-001North America

Mattocks bowl bullroarer scene

United States · Mimbres Valley · Grant County, New Mexico · North America

Function not recorded

Archaeological datec. 1000–1150 ADStyle III / Mimbres Classic Black-on-white attribution; individual bowl not directly dated.
A Mattocks-site Mimbres bowl painted with a standing figure holding a curved line that loops toward a decorated blade; Brody reads the scene as a man whirling a bullroarer.
Plate I. Mattocks-site Mimbres bowl with the scene Brody reads as a man whirling a bullroarer. Image source

Source term: bull-roarer

Inside a Mimbres bowl from the Mattocks site a small man stands beneath a shape several times his size, tied to him by one curving line. J. J. Brody read the painter as working in perspective: the great flaring form is not a bird's tail but a small bull-roarer, far out at the end of its cord, whirling above the man's head. The bowl is nineteen centimetres across and was made in the Mimbres Classic centuries, around AD 1000-1150 - the one place in the ancient Southwest where the instrument was drawn in use rather than left in the ground. Everything turns on granting the foreshortening; refuse it and the shape goes back to being unreadable.

a small bull-roarer on a string whirling about the head of the man

Brody 1983:90

Particulars

Object
Mimbres Classic Black-on-white bowl, Style III, 9 cm high and 19 cm in diameter, Maxwell Museum of Anthropology, University of New Mexico; the painted interior carries a small human figure joined by a single curved line to a much larger flaring shape.
Function
Painted scene of a bullroarer being whirled.

Source

J. J. Brody, Mimbres Pottery: Ancient Art of the American Southwest (1983), colorplate 21 and p. 90; Emily Brown, 'Musical Instruments of the Ancestral Puebloans,' p. 44

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Part of The Bullroarer Atlas, companion to The Eve Theory of Consciousness.