The Bullroarer Atlas

NA-S1952-003 - secondary catalog

Tewa of San Ildefonso

United States - Pueblo - Southwest - North America

Restricted

Pohaha katcina of the Te (Tewa) clan swinging the whizzer — a Tewa katcina brought to First Mesa by Tewa colonists, painted by a Hopi artist...
Pohaha katcina of the Te (Tewa) clan swinging the whizzer — a Tewa katcina brought to First Mesa by Tewa colonists, painted by a Hopi artist (Fewkes 1903, pl. XLVIII). Ceremonial-use image of the documented people's own tradition; not a specimen photograph. J. W. Fewkes, Hopi Katcinas Drawn by Native Artists (21st ARBAE, 1903), pl. XLVIII Public domain Image source

Source term: bullroarer

Harrington glosses the regional Tewa bullroarer term as 'wind call'; this is terminology evidence, not proof of wind- or rain-making at San Ildefonso.

Men kept the roar where women could not see it. At San Ildefonso, kivas were roof-entered ritual chambers, not display rooms: a round plaza kiva gathered the men for announcements and held the Tablita dance, while the Summer and Winter moieties kept their own kivas beside rooms for Kosa secret rites and Buffalo dancers. Theodore A. Seder is the one who put the bull-roarer into the published record in 1952, writing that the Tewa of San Ildefonso "used their bull-roarers out of sight, in their kivas, where women could not see them." He gives no specimen, song, society, player, informant, or ceremony name. What remains is the scene: a whirled slat sounded inside the ceremonial chamber, a roar heard but not shown.

Function
Bullroarers used out of sight in kivas where women could not see them
Map confidence
medium_high - regional_anchor: San Ildefonso Pueblo anchor; Seder gives secrecy context but not full rite detail
Source location
51-54; Harrington 1916, p. 59 (PDF p. 63)

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