The Bullroarer Atlas

No. SA-Z1953-007

Karajá mask-dance bullroarer

Central Brazil · South America

Restricted

Pale wooden bullroarer with a widened central blade painted in a dark zigzag and dotted lattice, narrowing to a long projection at one end.
Plate I. Representative — not this record’s object. Pale wooden bullroarer painted with a dark zigzag lattice. CC BY-SA 4.0 · Image source

Source term: Schwirrgerät / Schwirrholz / bullroarer

noli-noli (also nolinóli): the Karajá name Krause gives for a bullroarer; Sachs glosses it as a Schwirrholz "mit Stange," i.e. a whirled blade mounted on a stick.

Among the Karajá of the Rio Araguaia the Aruanã dance masks represent fish and other animals and may not be seen by women except when worn by the dancers; a woman who slipped into the secret hut where the masks were kept met the death penalty. Whether a bullroarer belonged to this complex is genuinely uncertain. The only positive note is Krause's: he recorded an instrument called noli-noli — a bullroarer whirled on a stick — that, "if it can really be found there," might play a part in the mask dances.

Das Schwirrholz scheint bei den Karaya nicht im Gebrauch zu sein, wenigstens konnte nichts darüber ermittelt werden.

The bullroarer does not seem to be in use among the Karajá, at least nothing could be ascertained about it.

Ehrenreich 1891:38 (Beiträge zur Völkerkunde Brasiliens)

Particulars

Function
Possible bullroarer in mask dances; masks may not be seen by women outside performance; women entering storage hut put to death

Source

Fritz Krause, In den Wildnissen Brasiliens (Leipzig: Voigtländer, 1911), p. 312; Paul Ehrenreich, Beiträge zur Völkerkunde Brasiliens (Berlin: Spemann, 1891), pp. 37-38; Curt Sachs, Real-Lexikon der Musikinstrumente (Berlin: Bard, 1913), p. 273

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Part of The Bullroarer Atlas, companion to The Eve Theory of Consciousness.