The Bullroarer Atlas

No. COHEN2021-001

Lagoa das Onças ceramic zumbidor

Brazil · Upper Xingu · Mato Grosso · South America · Amazonia

Function not recorded

Archaeological datec. 1000–1600 ADIpavu cultural horizon; object undated.
Waisted ceramic blade with a perforated end and incised lines.
Plate I. Waisted ceramic blade with a perforated end and incised lines. Image source
Five views of the same ceramic blade, showing both faces, the edges and the perforated end.
Plate II. Five views of the same ceramic blade, showing both faces, the edges and the perforated end. Image source

zumbidor

Source term: zumbidor (Portuguese catalog term)

zumbidor — Portuguese, 'buzzer/whirrer'; the Brazilian catalog term for the bullroarer class.

Nearly every bullroarer in the world's collections is wood or bone; the one from Lagoa das Onças is fired clay. Eighteen and a half centimetres of dark incised ceramic, bored at one end for its cord and worn smooth around the openings, it was brought out of the Upper Xingu by the archaeologist Pierre Becquelin and sits in the Goeldi Museum among the ancient instruments of the Amazon. It is classed by its mechanics — a rotary free aerophone — and nothing else came down with it: no maker's people, no date, no memory of what its clay voice was for.

Aerofone livre de interrupção não autófono giratório.

Free interruptive aerophone, non-autophonic, rotary.

Cohen & Venturieri, Arqueologia musical amazônica (2021), p. 70

Particulars

Object
Elongated incised ceramic zumbidor, 18.5 cm long, 6.4 cm at its widest, 2.0 cm thick, with a terminal bore of 0.5 x 1.2 cm and wear at its openings; distinctive incisions.
Function
Not recorded: the Goeldi catalog classifies it organologically as a rotary free aerophone — the bullroarer class — but no cultural use survives with the object.

Source

Liliam Cristina Barros Cohen & Leonardo Vieira Venturieri, Arqueologia musical amazônica: catálogo de instrumentos tapajônicos e marajoaras pré-cabralinos do Museu Paraense Emílio Goeldi (UFPA, 2021), pp. 69-70; Museu Paraense Emílio Goeldi, inv. 2011

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Part of The Bullroarer Atlas, companion to The Eve Theory of Consciousness.