The Bullroarer Atlas

STOBER2024-001 - lexical attestation

Lupranggina, the roar that cries pig

Papua New Guinea - Mato (Nengaya) villages, north coast of the Huon Peninsula, Morobe Province - Oceania - Sahul

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Representative—not this record’s object: a black-palm Tami roarer, Huon Peninsula.
Representative — not this record’s object. · a black-palm Tami roarer, Huon Peninsula. · CC BY-SA 4.0 Image source

lupranggina

Source term: bullroarer

lupranggina: literally "old, old man" (lup, "man"); Roinji kusira. buxu: "pig", the word heard in the roar. sanggulanggulang: a smaller bullroarer-like object for reaching one's personal benevolent spirit. ramang numana: the initiation house.

When the lupranggina roared, the Mato heard a word in it: buxubuxu. Buxu means pig. The elliptical blade of black palm, swung in circles on its rope, told everyone that the pigs were to be killed, because the boys were about to go into the initiation house. That house was built for the occasion. A red flower was planted beside it, and the circumciser wore it while he worked. The boys came out as ramang haundi, new initiates, and moved into the boys' house. The instrument's name means, literally, "old, old man." The Mato also kept a smaller object like it, the sanggulanggulang, a key for reaching one's own benevolent spirit.

It meant that it was time to kill the pigs ('buxu') as the boys would now enter the initiation house for their initiation rites

Stober, Mato Dictionary (2024), s.v. lupranggina
Object
Elliptical blade of black palm, tied to a rope and swung in circles. A smaller form, sanggulanggulang, was kept as a personal religious object.
Source
Scot Stober (compiler), Mato Dictionary (Webonary.org, SIL International, 2024), s.v. lupranggina, sanggulanggulang, buxu, ramang numana, ramang haundi, gaxagaxak
Source location
Page references

s.v. lupranggina; sanggulanggulang; buxu; ramang numana; ramang haundi; gaxagaxak

Source confidence
medium to high
Location note
Glottolog languoid point for Mato (mato1252). Mato is spoken in six villages (Tabares and Remuk dialects); no village is named for the instrument.

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