The Bullroarer Atlas

No. TITIEV1972-001North America

Sky god over a miniature cornfield

United States · Hotevilla, Third Mesa, Navajo County, Arizona · North America

Sacred / spirit

A painted katcina with a white box mask and single curved green horn, holding a small red-zigzag whizzer on a cord in his raised right hand and a lattice lightning frame at his waist.
Plate I. Representative — not this record’s object. A Hopi painting of Cotokinuñwû holding a lightning frame and whizzer. Public domain · Image source

tovokinpi

Source term: whizzer (bull-roarer)

In the winter of 1934 Hotevilla staged a puppet play for the Palulukonti, the Water Serpent ceremony, though that year no serpent puppets came out; only the songs remembered them. A painted screen stood across the room, and in front of it corn sprouts set in little clay cones made a miniature cornfield before the puppet maidens, who were worked to look as if they were grinding sweet-corn meal. Behind the screen crouched the sky god Sotukinangwa'a, carrying a whizzer and a lattice lightning frame. From time to time he rose to the shoulders and shot lightning 'over—but not directly at—the cornfield.' Now and then a sandpiper puppet was made to skate across the top of the screen.

One katcina dressed as the sky god, Sotukinangwa'a, and carrying a whizzer (bull-roarer) and a lightning frame, was also behind the screen.

Titiev 1972, The Hopi Indians of Old Oraibi, pp. 324–325

Particulars

Object
A whizzer carried, with a lattice lightning frame, by the katcina personating the sky god Sotukinangwa'a.

Sources

  1. Mischa Titiev, The Hopi Indians of Old Oraibi: Change and Continuity (Ann Arbor: University of Michigan Press, 1972), pp. 324–325 View
  2. William R. King, 'Dionysos Among the Mesas: The Water Serpent Puppet Play of the Hopi Indians', American Indian Culture and Research Journal 11:3 (1987), pp. 17–49 View

Part of The Bullroarer Atlas, companion to The Eve Theory of Consciousness.