The Bullroarer Atlas

No. BRODSKY1974-001

Koryak vuvuchan: gulls, geese and wind

Russia · Kamchatka Krai, Koryak District (northern Kamchatka) · Siberia

Play / practical

Middle Ob zúgattyú NM 39898, a rounded rectangular wooden blade painted with dark human figures and other motifs.
Plate I. Representative — not this record’s object. Middle Ob zúgattyú NM 39898, painted with human figures Image source

vuvuchan (вувучъан)

Source term: вращаемая завывалка (whirled howler); bull-roarer

vuvuchan (вувучъан): the Koryak whirled 'howler' (завывалка). geingevytkunen (гэйнэвыткунэн): a reed instrument cut from a bird's feather quill. gytkomnan (гыткомнан): a small cylindrical whistle. talytal (талытал): a spinning buzzer.

Koryak musicians painted pictures in sound. Pieces called 'Gulls', 'Wind' and 'Goose' were played for listening, sometimes solo but more often in ensembles, and the whirled vuvuchan, the 'howler', was one of their voices. In one trio it sounds beside a reed cut from the quill of a bird's feather and a small cylindrical whistle, and together the three make a seashore: birds crying over moving air. Koryak players also formed ensembles of howlers alone, several bullroarers whirling at once, something known elsewhere in the Russian Far East only among the Yukaghir.

Their combination is used to represent a natural landscape of a seashore with bird calls and wind.

Nikolsky and Benítez-Burraco, Physics of Life Reviews 51 (2024), p. 194 (Audio-40).

Particulars

Object
A whirled "howler" (завывалка), played alone, in ensembles of several howlers, or with buzzers, whistles and a feather-quill reed.
Function
Instrumental music for listening: sounded in Koryak ensembles that picture gulls, geese and wind on the seashore, and in ensembles of whirled howlers alone.

Sources

  1. I. Brodsky, «О народных музыкальных инструментах и инструментальной музыке Дальнего Востока РСФСР», in Теоретические проблемы народной инструментальной музыки (Moscow, 1974), pp. 158–159 View
  2. Aleksey Nikolsky and Antonio Benítez-Burraco, 'The evolution of human music in light of increased prosocial behavior: a new model', Physics of Life Reviews 51 (2024), p. 194 View

Part of The Bullroarer Atlas, companion to The Eve Theory of Consciousness.