The Bullroarer Atlas

SAMA2026-004 - museum specimen

Sacred motif on a pale cloth

Central Australia - Oceania - Sahul

Sacred / spirit

The reverse face, split and worn, numbered I.5625.
Representative — not this record’s object. · The reverse face, split and worn, numbered I.5625 · CC BY-SA 4.0

Source term: bull roarer

No local term recorded.

Sometime between 1890 and 1912, Francis Gillen — the Alice Springs telegraph-station manager who became Baldwin Spencer's partner in recording Central Australian ceremony, and who as special magistrate and sub-protector was effectively the administrator of the region — laid a bullroarer on a light-coloured cloth and photographed it by itself. The archive can still read the carving off the print: two semicircles, a circle, and lines at either end, described as a sacred motif. The label on the back gives one piece of geography, 'C.Aus.' Whose the instrument was, and where it was made, are not on the print.

A bull roarer laid out on a light coloured cloth, it has a sacred motif craved into the wood (two semi-circles, a circle and lines on either end).

SA Museum, Gillen AA108/48/2/16, formerly AP6245
Object
An early photograph of a bullroarer laid on pale cloth, carved with two semicircles, a circle and lines at both ends, described in the archive as a sacred motif.
Function
Not recorded; only the archive's description of the carving as a sacred motif.
Source
South Australian Museum, Francis James Gillen AA108/48/2/16, formerly AP6245
Source location
Page references

exact archive item AA108/48/2/16 / AP6245

Source confidence
low Alice Springs telegraph station, Gillen's base 1890-1899; the print's own label says only 'C.Aus'. Not an object findspot.

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