The Bullroarer Atlas

No. IYENGAR1930-001

Taḻal in the millet fields

Tamilakam: the kuṟiñci (hill) landscape of Sangam poetry · South Asia · South India

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Indian Museum instrument plate, 1917; the small Chittagong bullroarer
Plate I. Representative — not this record’s object. Indian Museum instrument plate, 1917; the small Chittagong bullroarer Image source

taḻal (தழல்)

Source term: taḻal: sling, also bull-roarer

taḻal (தழல்): a hand-whirled bird-scarer, also glossed sling. taṭṭai: a struck clapper for scaring birds. kuṟiñci: the hill landscape of Sangam poetry, setting of millet-guarding and of lovers' meetings.

On the hills where the millet ripened, girls kept the parrots off with noise. Tamil poems of the Sangam age give them two bird-scarers: the taṭṭai, a clapper that was struck, and the taḻal, which, the commentators say, was whirled by hand until it sounded of itself and sent the parrots flying. In one short poem of the Kuṟuntokai the taḻal becomes a love token. A girl remembers the festival where a young man found her. He gave her a taḻal, a taṭṭai and a skirt of leaves, told her they suited her, spoke sweet lies, and carried off the beauty her mother had guarded.

Particulars

Object
A hand-whirled bird-scarer that sounds of itself.
Function
Whirled by hand by girls guarding ripening millet, its sound drove away parrots and other birds; it also figures as a lover's gift.

Sources

  1. P. T. Srinivasa Iyengar, Pre-Aryan Tamil Culture (Madras, 1930; repr. 1985), p. 44 View
  2. Kuṟuntokai 223, with commentary (Tamil Virtual University), pp. 416-417 View
  3. N. Periyasamy, "Paḻantamiḻariṉ payirppātukāppu muṟaikaḷ" [Crop-protection methods of the ancient Tamils], Ungal Noolagam (August 2020) View

Part of The Bullroarer Atlas, companion to The Eve Theory of Consciousness.