The Bullroarer Atlas

MUS2026-086 - museum specimen

Xavante

Brazil - Mato Grosso - South America

Function not recorded

A man-shaped wooden board painted with black zigzag diamonds and dotted infill — an Upper Xingu bull-roarer collected by Max Schmidt in 1904,...
Representative image. A man-shaped wooden board painted with black zigzag diamonds and dotted infill — an Upper Xingu bull-roarer collected by Max Schmidt in 1904, held by Berlin's Ethnologisches Museum, shown for the general form; not the Xavante instrument, held by the National Museum of Ethnology in Osaka, documented here. Staatliche Museen zu Berlin, Ethnologisches Museum / Katharina Kepplinger (V B 5230, coll. Max Schmidt 1904) CC BY-SA 4.0 Image source

Source term: bull-roarer

A Xavante bull-roarer in Osaka's National Museum of Ethnology, catalogued as a humming sound-device — and a puzzle. The Xavante sound world was set down instrument by instrument in Desidério Aytai's O Mundo Sonoro Xavante, and the bull-roarer is not in it: in the wai'a, the men's great spirit ceremony, the voices of malevolent spirits come instead from rare insect-cocoon whistles that women must never see. Among the Sherente, the Xavante's closest kin, initiates did carry a roarer into forest seclusion to summon a spirit. For the Xavante themselves, this blade stands alone.

楽器(うなり音具)

Musical instrument (humming/droning sound device)

National Museum of Ethnology, Osaka (Minpaku), object record H0104028
Object
Bull-roarer of the Xavante, National Museum of Ethnology, Osaka (Minpaku).
Function
Not recorded — and conspicuously absent from Aytai's dedicated catalog of the Xavante sound world; in the wai'a the voices of malevolent spirits come from insect-cocoon whistles taboo to women, not from the roarer (Aytai 1985).
Map confidence
high - approximate culture/locality centroid
Source location
object record H0104028 (Minpaku)

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