{"id":"MARIKA1963-001","label":"Mathaman Marika's Wawaluk lagoon painting","people_or_site":"Rirratjingu clan (Dhuwa moiety), Yolngu; painted at Yirrkala","country_current":"Australia","historic_region":"North-east Arnhem Land / Yirrkala","macroregion":"Australia","local_name":"","source_term":"bullroarer (Davidson's English; no Yolngu object-name is published in the essay)","source_language":"English","object_description":"A bark painting, not an instrument: Mathaman Marika, Arafura Lagoon (catalogued by the NGV as Wawilak ceremony), 1963, earth pigments on bark, 159.1 x 68.2 cm, National Gallery of Victoria accession 1512-D5, gift of Jim Davidson, 1967. James A. Davidson reads the work as a stylised map of Arafura Lagoon and as \"an inventory of artefacts used in the Wawaluk ceremony\", with black footprints marking the Wawaluk sisters' route toward the sacred lagoon Mirramina. He describes the Wawaluk/Kunapipi bullroarer itself as a metre-long snake-bodied blade fastened to a stick with human-hair string, the blade being the snake's body, the hair string its fangs and the sound its voice, but keys no painted motif in this work to it. A closely related second version was painted in 1965, 152.0 x 61.5 cm, formerly recorded as the James A. Davidson collection; it is supporting evidence, not this record's object.","function_summary":"Depicted ceremonial complex. Function is Davidson's account of the Wawaluk/Kunapipi bullroarer as a ceremonial instrument of that cult, not a datum recorded against any painted motif in this work.","attestation_type":"ethnographic_attestation","source_key":"ngv_1512_d5_mathaman_arafura_lagoon","source_type":"journal_article","source_url":"https://www.ngv.vic.gov.au/essay/mathaman-warrior-artist-songman/","page_or_plate":"Davidson, Art Bulletin of Victoria 29, NGV web republication 18 June 2014, unpaginated; NGV accession 1512-D5","map_confidence":"medium","plot_status":"candidate_only","coordinate_basis":"Approximate point at Yirrkala township, where the painting was made in 1963. The country it depicts — Arafura Lagoon and the sacred lagoon Mirramina, some 200 km to the west in the Arafura Swamp — is not used: paintings on portable objects are placed where they were made or found, and this source attests no instrument at Arafura Lagoon.","jade_complex_role":"","blurb":"In 1963, at Yirrkala on the north-east coast of Arnhem Land, Mathaman Marika painted a lagoon in earth pigments on a sheet of bark. It is a map and a list at once: the water of Arafura Lagoon laid out flat, the black footprints of the Wawaluk sisters walking toward the sacred lagoon Mirramina, and around them the gear of the ceremony that follows their story. Among that gear, in the ceremony if not identifiably in the painting, is the bullroarer — which James Davidson describes as a blade a metre long, tied to a stick with string spun from human hair, the blade being the snake's body, the string its fangs, the sound its voice. Which mark on the bark is that instrument, nobody has said in print. The painting is here because it inventories the ceremony, not because anyone has yet pointed to the roarer in it.","pull_quote":"These bullroarers are about a metre long and are fastened to a stick with string made of human hair.","pull_quote_translation":"","pull_quote_cite":"James A. Davidson, \"Mathaman: warrior, artist, songman\", Art Bulletin of Victoria 29, NGV web republication","term_gloss":"Wawaluk (also Wawilak, Wagilag): the ancestral sisters whose journey and swallowing by the great snake underlies the ceremonial complex depicted here. Kunapipi: the associated ceremony, rowed elsewhere in this atlas as AUSIN-014, AUSIN-015 and SPENCER1914-001. Mirramina: the sacred lagoon toward which the sisters' footprints run in this painting.","cls":"restricted","class_label":"Restricted","color":"#A43C2F","is_candidate":true,"flags":["spirit_voice","snake","initiation","death_rebirth"],"f_jade_complex":false,"f_women_taboo":false,"f_women_special":false,"f_snake":true,"sources":[{"citation":"James A. Davidson, “Mathaman: warrior, artist, songman,” Art Bulletin of Victoria 29, National Gallery of Victoria web republication (18 June 2014), unpaginated","url":"https://www.ngv.vic.gov.au/essay/mathaman-warrior-artist-songman/","archive":"https://web.archive.org/web/20260421203205/https://www.ngv.vic.gov.au/essay/mathaman-warrior-artist-songman/"},{"citation":"National Gallery of Victoria, Mathaman Marika, Arafura lagoon (1963), accession 1512-D5, illustrated in Davidson, “Mathaman: warrior, artist, songman”"}],"source_citations":"James A. Davidson, “Mathaman: warrior, artist, songman,” Art Bulletin of Victoria 29, National Gallery of Victoria web republication (18 June 2014), unpaginated; National Gallery of Victoria, Mathaman Marika, Arafura lagoon (1963), accession 1512-D5, illustrated in Davidson, “Mathaman: warrior, artist, songman”","source_display":"James A. Davidson, “Mathaman: warrior, artist, songman,” Art Bulletin of Victoria 29, National Gallery of Victoria web republication (18 June 2014), unpaginated; National Gallery of Victoria, Mathaman Marika, Arafura lagoon (1963), accession 1512-D5, illustrated in Davidson, “Mathaman: warrior, artist, songman”","date_citation_display":"","object_display":"A bark painting, not an instrument: Mathaman Marika, Arafura Lagoon (catalogued by the NGV as Wawilak ceremony), 1963, earth pigments on bark, 159.1 x 68.2 cm, National Gallery of Victoria accession 1512-D5, gift of Jim Davidson, 1967. James A. Davidson reads the work as a stylised map of Arafura Lagoon and as \"an inventory of artefacts used in the Wawaluk ceremony\", with black footprints marking the Wawaluk sisters' route toward the sacred lagoon Mirramina. He describes the Wawaluk/Kunapipi bullroarer itself as a metre-long snake-bodied blade fastened to a stick with human-hair string, the blade being the snake's body, the hair string its fangs and the sound its voice, but keys no painted motif in this work to it. A closely related second version was painted in 1965, 152.0 x 61.5 cm, formerly recorded as the James A. Davidson collection; it is supporting evidence, not this record's object.","function_display":"Depicted ceremonial complex. Function is Davidson's account of the Wawaluk/Kunapipi bullroarer as a ceremonial instrument of that cult, not a datum recorded against any painted motif in this work.","confidence_display":"medium","attestation_label":"ethnographic attestation","etymology_hedge":"","people_key":"rirratjingu clan","display_name":"Mathaman Marika's Wawaluk lagoon painting","image":{"full":"assets/objects/MARIKA1963-001_ngv_arafura_lagoon_1963.jpg","thumb":"assets/objects/MARIKA1963-001_ngv_arafura_lagoon_1963_thumb.jpg","alt":"Mathaman Marika’s 1963 bark painting Arafura Lagoon, with stacked fields of fine white crosshatching, repeated circular motifs, rows of ancestral figures and water creatures.","credit":"Mathaman Marika / National Gallery of Victoria, accession 1512-D5","license":"No open license stated; rehosted from the NGV’s public collection essay for noncommercial research","source_page":"https://www.ngv.vic.gov.au/essay/mathaman-warrior-artist-songman/","rehosted":true,"representative":false,"caption":"Mathaman Marika, Arafura Lagoon, 1963."},"slug":"marika1963-001-rirratjingu-clan-dhuwa-moiety-yolngu-painted-at-yirrkala"}